Location
Melbourne
Library update
I now have the database tool in my hot little hands and after some tweaking will be ready to start inputting all the data for the current library sounds. That's nearly 13,000 sounds to be added to the database. As soon as that is done the full Sound Library website will be ready to go live. On target for a February launch. I am very happy to be so close to finally going live with the full site.
Melbourne
Library update
I now have the database tool in my hot little hands and after some tweaking will be ready to start inputting all the data for the current library sounds. That's nearly 13,000 sounds to be added to the database. As soon as that is done the full Sound Library website will be ready to go live. On target for a February launch. I am very happy to be so close to finally going live with the full site.
As part of preparing the library for launch I have been going through and checking all the sounds, making sure they are levelled well and generally have no problems. Initially I did not included many stereo sounds in the library, but I have been going through all the raw material and where available replacing the sounds I down mixed to mono with stereo versions.
Initially I think I was trying to reduce file sizes as most of the ambiance sounds were already quite long, but the ambiances also benefit more from being stereo than most other sounds. I really need to get a stereo shotgun mic so I can record the majority of my material in stereo initially as currently most of my samples are recorded in mono. I would not always choose to include stereo versions of all sounds, but I do think I should increase my options when recording raw material. Over the years I have evolved the way in which I record my raw material with a wider range of microphones available and better equipment to capture sounds, but there will always be room for improvement, so this year I plan to add both stereo and surround sound versions of a range of material.
Initially I think I was trying to reduce file sizes as most of the ambiance sounds were already quite long, but the ambiances also benefit more from being stereo than most other sounds. I really need to get a stereo shotgun mic so I can record the majority of my material in stereo initially as currently most of my samples are recorded in mono. I would not always choose to include stereo versions of all sounds, but I do think I should increase my options when recording raw material. Over the years I have evolved the way in which I record my raw material with a wider range of microphones available and better equipment to capture sounds, but there will always be room for improvement, so this year I plan to add both stereo and surround sound versions of a range of material.
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